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I spent my youth in the town of Wysokie Litewskie, Brest District. I went to
elementary school there. I made my first friendships in Wysokie, and formed my
artistic interests. My young Jewish friends liked me and I was absorbed into
their cultural lives. I painted for them; my first landscapes hung
on the walls of their homes. I helped paint the sets and
decorations of the amateur theatre, so much so that never a production went
forward without my contribution.
I had many friends in the community. One lasted to the
very end – my friendship with Mojżesz (Moses) Teitelbaum, a poet and short-story writer,
whose works were already published in Jewish magazines. Even though
I left to study at the Academy of Arts in Cracow, I kept in contact with my
friends in Wysokie. During summer vacation, I returned to continue our long
discussions of various themes of importance to the inner life of our
generation. I got to know the customs of my Jewish friends, I was at their feasts during holidays. I was invited to them and participated in their joys and sorrows, entertainments. I was not a stranger to their loves and longings, full of
specific folklore -- an exotic weave of local and Middle-Eastern elements.
By then I had acquired some significant skill, and I used it
to paint scenes of the local marketplaces, and to capture typical
characteristics of the people I saw at the markets.
At the same time I got to know Kamenets Litewski, where
there was an Academia Duchowna [4]. Students at the Academy included young people from the countries of Western Europe. That gave me the opportunity to draw differing types [5] -- not an easy task.
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Translator's Notes:
[4] By implication, a school for training rabbis.
[5] Types was a common term used by European
artists to denote people of differing stations of life, often with interesting
appearances, worthy of being depicted in an artistic work. |